A Motion to Dismiss was filed on my behalf back in October 2017 by my trademark attorney Michael L. Lovitz, IP Law. The Trademark Cancellation case has remained suspended since that time pending the courts decision. This Shalamar trademark challenge brought against me four years agowas finally heard and ruled on by the Trademarks and Appeals Board (TTAB)and entered into public record on February 15, 2018.
The trademark registration challenge case brought against me by Petitioner and Plaintiff Carolyn Baldwin (stage name Griffey) was Dismissed With Prejudice(no chance of appeal) by the Trademarks and Appeals Board as no evidence of record was ever presented nor entered into the challenge that proved her sole ownership or past registration claims. I could not be more pleased with the outcome.
With a litany of false and slanderous statements made against me to the public over these four years by Baldwin, her mother former singer Carrie Lucas common law wife of Solar Record’s Dick Griffey, Baldwin’s colleagues and representatives (including Michael Gardner, Vijay Bhuchar, Zak Patel, Jemma Hatt admin of “Shalamar “Friends” social media pages created after my registration of the mark, Hipolito Rodriguez and Randy Lopez of RDMJ Entertainment), cyber-bullying, implicit in undermining my trademark rights, with threats, tampering with booking agents (Sal Michaels and Pyramid Entertainment, Pollstar), promoters, and media outlets such as Soultracks’ Chris Rizik, Eurweb’s Lee Bailey (“The Trademark Belongs To Me!!” interview with Baldwin), UrbanMusicScene, as well as The Tom Joyner Morning Show (Howard Hewett interview 2016) where baseless claims and accusations of fraud against me were made without my opportunity to refute the false claims in their efforts to ruin my reputation as well as undermine, thwart and encourage non-support of my new group endeavors now named ( Jody Watley ft. SRL). This is just a sampling of some of what I’ve endured in this difficult chapter that I intend to put even further behind me, as I’ve already tried to do the past couple of years before this ultimate outcome in my favor by the TTAB.
I remain the legally registered owner of the Shalamar trademark in the United States of America as registered with the USPTO (United States Patent and Trademark Office). As a result of this process I’ve also been able to put an end to false and misleading ads by Baldwin and her colleagues (Howard Hewett and Jeffrey Daniel) under the guise of “Carolyn owns the name, so she can do whatever she wants to do including use old photos of Shalamar to advertise with your (Jody Watley) likeness …” The charade is over.
The Terminated challenge is public record via the TTAB website for any avoidance of doubt.
I hope my efforts will inspire other artists to be more diligent about business matters and for those who have been in groups to be more proactive in how their likeness is used in the public, avoiding misrepresentation to talent buyers and fans over time allowing others to benefit and profit from your original works, image and likeness potentially damaging your own livelihood in the process.
My hope is after this lengthy post, all of you who need to, can move on instead of telling me to, when I have moved on my life as well as solo career represents that. I’ve said for decades I’m thankful for the lessons learned and experience of my brief tenure in Shalamar. I’ve never been angry, resentful or any number of things I’m accused of. I thank all of them for their actions because ultimately it led me to live my best life and step into my destiny as a successful solo artist. People have tried to manufacture fake narratives, drama and imaginary beefs where none exist beyond in their own ego’s and mind. Self projection.
For some none of these facts will mean anything and you’ll still think what you want – that’s fine too. This post is also for me though – needed to get this off my chest and put these facts out here – so I write and backtrack all of this for this blog.
A Howard Hewett post from Facebook, pictures taken from my phone and posted on my pages with video
Howard constantly says he hasn’t spoken to me in 40 years – clearly a lie intended to create negativity directed at me, This is 2016 – we were on a flight from Philly to LAX – UPDATE– fast forward 2022, he’s still saying we haven’t spoken.
Expressing my frustration at the false narrative in my post from 2016. I don’t understand why Howard has continued to act like there is beef (lol as if we are rappers) it’s alway cordial when we cross paths – we have had a couple of in-depth conversations over the years.
Instagram post from August 2016 sent to me by one of my fans
Recording session for my “Flower” album in 1997 with Howard and Jeffrey – the unreleased song was called “Just One More Time” which I ended up doing solo because Craig didn’t like how it sounded with the guys and didn’t want to try another song. Yet they perpetuate the lie there are differences going back to when I quit in 1983. It’s just not true, some can’t accept that I did move on and very happy in my life and solo career. Photo courtesy of Eclipse Content.
For decades.. an excerpt sent to me from a longtime supporter of mine – Howard badmouthing me as far back as 1990. We were never friends -yet here he is trying to make me look bad and my circle of which he was never a part of to begin with.
Providing you with a timeline of communications over the years..starting with recent events as they are most relevant, unless you’re a person stuck on events of 20 and over 30 years ago – then working my way to the 1996 – Babyface reunion over 21 years ago that people including Howard Hewett, Jeffrey Daniel, TV-One/Unsung etc are still making much ado about nothing over and being dishonest about it – flat out lies. Trying to make it as if there are ongoing differences when there are not, at least not on my end. I’m simply living my life and handling the business of Jody Watley in my professional life.
We’ve had a few conversations including in the adjoining trailer on Top of The Pops for the Babyface taping, a lengthy phone conversation following that time where both Howard and Jeffrey leaned in on telling me I wasn’t shit without Shalamar despite my massive solo success which made me think how happy I was that we no longer worked together. They were still very disrespectful and incapable of any level of earned respect. There would be later communication years later – so this notion of no contact is completely false, though it is a narrative that permeates throughout the internet fueled by Howard in attempts to damage my reputation and create the false narrative of me being some angry woman – this by someone I only worked in a group with for a mere 4 years nearly 40 years ago.
I usually adhere to the following: what people say about you is none of your business..don’t waste time explaining things to those committed to not understanding and always think of Don Miguel Ruiz’s “The Four Agreements” – the second agreement is to not take things personally much of what people say is a reflection of them.. there are times though lies must be addressed.
Reading some of the comments, questions..prompted this very lengthy post because I’m tired of the lies against me with regard the whole “Shalamar Reunion” subject – the unnecessary cyber bullying and harassment I receive over a group I quit decades ago is just beyond comprehension.
This was going to be a short blog, however once I began working on it – I figured this may as well be as in-depth as possible. If you’re in a hurry or have a short attention span -you can skip ahead to where I address the lies that have gone on too long by Howard Hewett, Jeffrey Daniel, Carolyn Baldwin (Griffey), various former Solar Records loyalists, Unsung and others involved. I come with receipts, as they say. That’s really what this post is all about, the truth to stop the lies…though I’m sure they will continue to my detractors and those committed to what appears to be a longstanding Jody Watley smear campaign.
All I’ve done is get on with my life and career with outstanding merit and achievements of my own – much to the chagrin of some. There are decades of interviews with me on record saying despite all of it and not all of it was bad..I remain in gratitude for the beginning of my professional career – it helped me learn the business and as a young woman forced me to overcome a lot of things.
For decades now I’ve said in interviews the unexpected death of my father changed how I view and live life. It’s too short to be unhappy, not living and creating our own fulfillment of joy, not to mention – not being compensated fairly. God and the universe are the ultimate provider of my blessings – my parents were my vessels and early teachers in life. ‘She needs to remember where she comes from..” my life began long before Shalamar and did not end there.
It’s no secret that Black women are generally the most marginalized, disrespected, diminished, and dissected across social media and in society. It makes no difference if you’re the First Lady of the United States – a black woman.
We get demeaned constantly – it’s our hair, our weight, our looks, never good enough for some – doesn’t matter the socioeconomic background or level of intelligence either. Often some of the negativity and hate sadly comes directly from other black women and men. In the midst of being an artist it was my duty to raise another intelligent, strong daughter knowing the challenges not just of being a human being, a woman – add to the mix a girl and woman of color. I have many achievements to be proud of in an ongoing career – that includes hit singles and albums, first of their kind celebrity high profile ad campaigns (GAP, Saks Fifth Avenue, LA Eyeworks), fashion layouts (Harper’s Bazaar, VOGUE, Rolling Stone) where few if any black artists were showcased at the time and other significant benchmarks to numerous to list in an ongoing career- as well I am the only Grammy winning solo artist to emerge from Shalamar…but the one continuously unfairly maligned as the one who needs to get over some imaginary petty grudge and bitterness that has been manufactured by others to suit their own personal feelings and bias against me – because in my 20’s I made a decision to walk away from a situation that did not serve my happiness, was bad business, included consistent demeaning behavior by some but as I’ve said would not trade it..was not all bad, and even in the – it was life lessons and I’m glad it happened. Proud to have been part of a beloved R&B trio already in the history books – as I went on to make my ownsolo history. I am blessed and always in gratitude as I continue to evolve and grow and to have stepped into my ultimate destiny to be solo star, writer, producer, entrepreneur, style icon – JODY WATLEY. The bitterness is in others.
If anyone is under any doubt who received the backlash from Unsung – just visit some of the comments around the web. A sampling of comments directed at me:
This was one that I came across actually made me laugh since no man has ever taken care of me. As a note to Jamone, I’m still single-handedly sending my youngest to college and have always been the self-sufficient bread-winner-even during a brief marriage. A self financed artist and label owner since 1995; there are men on my payroll having employed men for decades, from producers, co-producers, remixers, band members, photographers, designers, executives and other staff. So yea..”..gold digging bitch”.. Smh – the misogyny is real.
No one can ever make you feel less than you are without your consent, so these types of comments don’t phase me, I have to laugh. My sound and style contributed to the success of Shalamar – if some people don’t think so, cool. Doesn’t change my life, career or the past contributions and what I’m doing now.
Everyone is entitled to their opinion..and when you’re tagged they want to make sure you know their opinion – such as Charmaine and Jo Ann – other black women. There are hundreds like them venting hatred of me and others in the public eye – there’s also a lot of love. That’s where my focus is, however it’s important not to live in that bubble. Sometimes you’ve got to see the hate. If you check Jo Anne Fair’s page you’ll see Christian scriptures, although very judgmental of me .. typical. I wonder when people leave a negative comment, does it make them feel pleased with themselves in that moment..probably. Glad to not be them and I think of Don Miguel Ruiz “The Four Agreements” – the second agreement is to not take things personally, the garbage people try to inflict upon you is really what they feel.
It’s amazing as well that if I’m so insignificant, as some say and post to me..why do I keep ending up as the focus of these Unsungs? As of right now, today and as trademark owner – as long as they don’t use my likeness, or any false misleading tactics, Howard is free to be Shalamar featuring Howard Hewett , Jeffrey Daniel and Carolyn Griffey like they’ve been doing.. and remember there was a Shalamar after both Jeffrey Daniel and I both quit (cue DeLisa Davis, Micki Free, Sidney Justin). Make sure to keep supporting Howard, Jeffrey and the Baldwin Griffey group (keep reading), especially you Charmaine who took time to tag me, though she doesn’t follow me. It’s totally fine with me if anyone thinks Shalamar is Howard, that’s great what would be the reason for a reunion in that case?! Jody Watley went on to make a name for myself – separate from Shalamar and not an easy feat.
No doubt there will be no response after presenting these hard facts because you bitter Shalamar fans don’t like the truth, you want to exist in the lies and emotions in your own heads.
From a thread on my Facebook page where I posted recent airport photo with Howard.
This isn’t really about a Shalamar Reunion, this is all anti Jody Watley from my point of view rooted in envy. People take voiceovers from Unsung “..Jody Watley has declined all reunions” (something I’ve never said) which is a flat out lie – as gospel.
“Unsung” – I’m not. Having achieved what many black artists strive for – crossover success. There’s no reason for me to have a grudge with anyone, but there are those who definitely hold a grudge against me because of my solo success and independence. I’ve never been a ‘just fall back in line’, ‘know your place’ ‘do what you’re told’ kind of gal.
A triumphant night! A kick ass solo debut! Pure Joy! Some folks are still mad and can’t get over it.
Workers of iniquity want to see you fail or go crawling in a hole of contrition somewhere, fall off, self destruct..who knows.
Stop wasting energy. People post to me “Life is too short..let it go” Let what go?? I say follow your own advice it has nothing to do with me.
Focused as always on my life, career and moving forward working on and releasing new music – new ventures, collaborations is what I’m about in my professional life.
Being dragged into unwarranted negativity and fake drama from a recent TV-One Unsung Howard Hewett – basically Unsung Shalamar Part 2 was like OK, this again? My image, name and likeness were used to drive views in social media and ratings for the broadcast walking a thin line into libel and defamation – lies, lies and more lies.
Unsung / TV-One / Unsung Producers:
Front and center. Jody Watley my name and likeness used for lies and distortion to help get ratings and generate fake drama.
Hash-tagged, fake drama, marketing for ratings. it was supposed to be about someone else’s career right? Interesting juxtaposition of the male figures Howard and Jeffrey in the shadows with Jeffrey’s posture aimed to point at – who else..Jody Watley.
Here are some facts, to be clear I had very volatile interactions with both Howard and Jeffrey in the past from verbal and physical abuse for starters, as soon as I choose to leave Shalamar it was over and behind me from my point of view, all was forgiven – I was free to begin anew with lessons learned of that time .. that said The “Jody Watley has refused ALL requests for Shalamar Reunion” lie and narrative was first broadcast in 2009 with Unsung Shalamar but has been long perpetuated by Howard and his people and some in urban media. At the time because so many people wanted to know my thoughts on the broadcast. There were so many glaring omissions so I expressed my thoughts in Jody Watley Unsung Unfiltered on my Youtube channel. The omission of original male lead Gerald Brown was glaring in as much as he was clowned by Jeffrey Daniel in the episode about him waiting on a phone call – though the producers never reached out to Gerald to substantiate or get his side of what led to his departure. Gerald is included in my Unfiltered Part 8 the conclusion. Watch
In 7 years, more has happened as life and business have gone on. The production company A. Smith and Co has updated it to include the daughter of Dick Griffey who has never sang on one song with Shalamar – not one hit or album yet they revised to include her, a woman who has a personal vendetta against me which began with her father. Still no Gerald Brown though, who sang on our hit “Take That To The Bank” it’s all very shady.
I registered the Shalamar trademark to stop false ads, akin to stopping identity theft – not to stop anyone from touring – period.
Using old photo’s of Shalamar with me in it a ploy to help market and sell shows while putting Carolyn Griffey’s name next to my face was unethical no matter how much they said screw you, Dick Griffey owned all the photo’s so we can do what we want. My actions were nothing personal nor designed to stop anyone from working. I have no differences with anyone beyond the false ads..not to mention using old recordings with my vocals to help market shows.
That said – here’s the real deal and why I’m tired of the constant lies and misinformation purposely put out to create backlash, negative sentiments with the black/urban fans of the old group with regard to me. Misinformation is designed to undermine and damage my personal reputation and professional livelihood.
Howard and Jeffrey have not been trying to work with me for twenty years – they are under contract to the Griffey family who has dictated who they can work with if they are to do ‘Shalamar’ and that female is Carolyn Baldwin (Griffey), this fact that neither Howard or Jeffrey will acknowledge in favor of the tired narratives they peddle came out during Carolyn’s challenge.
Howard and Jeffrey and I went into the studio to record a song my ‘1998 Flower’ album at the behest of Atlantic Records,Craig Kalman – in the end the song wasn’t used, neither of them every mention the recording session – rather they keep imaginary ‘beef’ going instead which continues to cause me to be harassed, disrespected, and smeared.
Here we are in recording session 1997 for a reunion recording for my ‘Flower’ album. Producer Jamey Jaz, Howard, Jeffrey. Photo courtesy of Eclipse Content.
When registering the mark which became effective May 23 2014 USPTO #4,530,877 (covered already in various interviews and blog posts here on my site) – I’d extended an invitation to Howard to join me for a few dates, as well as a potential reunion discussion was had – they turned it down unless Carolyn Griffey was involved which I found baffling -until I found out what was really going on.
It was strictly business and protecting my own brand against false ads, bait & switch to which Carolyn Baldwin (Griffey) and her mother felt she had every right to misuse including putting her name next to my likeness as if Jody Watley was never in Shalamar.
Email Excerpts November 3, 2014:
Blocked! I attempted to look up a tweet Howard had tagged me in last year to the effect of “People are asking what I think of @jodywatley ..I’m not interested in that..” It was something to that effect, as I tend to do – simply ignored it. Back in 2015 his tweet to me was followed by a series of tags/tweets from his friends online bully Vijay Bhuchar (the Shalamar/Shalamar Friends friend and t-shirt vendor in the UK) and oddly singer Phil Perry. I never responded nor acknowledged it. I had to laugh at loud when I saw “You are blocked..” Really? Who’s mad?
**Update (Sept.12, 2016) thank you to the fan on Twitter who pulled this tweet I was referring too and a few more..”
The line-up that tours the UK with Carolyn; a woman who never song on one hit single or classic album is now #TheRealShalamar ? Ok…
“..you can’t still be mad after 30 years..” referring to me, Jody Watley when really Howard must be speaking of himself ” further adds “..she got the trademark illegally..” more lies and slander from Howard Hewett on Tom Joyner Morning Show
What rift????!Mad at what??!! I am tired of these lies, but still not mad, and classy enough to smile when we bumped into each other at the airport.
In this instance I have every right to be annoyed at the constant attempts to damage my reputation to put a damper on the love and respect that so many do have for me. The above links interview are after these emails initiated by me further disproving the constant need to mislead the public, attempting to create a negative backlash ..
Stop the lies, and attacks against me. I’m not the one with the grudge – clearly, why someone continuously creates a false narrative of imaginary differences is beyond. It’s called gaslighting.
2009 before airing of Unsung: Shalamar
With Howard in 2011 when I was on Grammy Board LA Chapter – always cordial and upbeat. Why he continues to peddle the fake narrative of bitterness, jealousy, grudge holding is what he must feel inside, not me at all. I wish him healing and inner peace.
When I reached out to Howard October 13, 2014..it took him nearly a month to see it..check it and a year later October 2015 he continues to speaks of the imaginary ‘..rift..’ instant airtime with Tom Joyner..who, I’d add – never had me to come on and reply to these lies and allegations..
but yet months later, another year later he’s still peddling the fake ‘rift’ ‘Jody’s mad..’ lie.
What rift, other than the one Howard obviously wants people to think exists – and maybe it does within himself – maybe one day he can move on, let it go and stop being petty by peddling lies as well as those who work with him who hide behind troll accounts and bolding trying to tarnish my name across the web.
It’s probably Jody Watley right? Wrong. When people make assumptions about things they are clueless about and have bought into this mythical – it’s her..she’s not willing to forgive nonsense. I moved on the day I left Shalamar on July 4, 1983.
Hadn’t spoken to Jeffrey in over nearly 15 years. He was desperate to talk to me. He, Howard, Caroyln and their manager Michael Gardner were up in arms about the fact I’d started a new group. Jeffrey contacted me through booking agent Sal Michaels at Pyramid, he had been a booking agent of Shalamar in the 80’s and we’d recently reconnected. Sal was being harassed and threatened with lawsuits to sabotage my efforts by Michael Gardner on behalf Baldwin, Jeffrey and Howard.
One of many emails threatening to sue (without merit) in an attempt to sabotage booking efforts.
I will only excerpt the relevant portion with regard to Shalamar and potentially working together. Perhaps the question to him is why do you keep saying Jody is the reason there’s never been a reunion, though from his comments on Unsung, I think Jeffrey is suffering extreme memory loss and speaking with him confirmed my suspicion- that or denial. Knowing the facts of the Dick Griffey mandate and the fact they never asked me prior to that with any real specifics is what he should convey and recent talks rather than over 20 years ago.
Jeffrey Daniel January 2015 Email:
Maybe someone can ask Jeffrey why he hasn’t mentioned this most recent correspondence from last year – why the lie about Jody being the problem? What problem? Why is it he only brings conversation from the 90’s and not the most recent?
Because Jeffrey and I exchanged conversation about his family, his children, his God-daughters in Lagos, my children, etc..I have only extracted what he said in regards to possibly getting together “Shalamar.” They went on to a festival ‘Let’s Rock Bristol’ – as my group had done the year before at Let’s Rock London. Not another peep from Jeffrey who I gather is powerless which is sad for him as the only original of those 3.
For reasons only Howard and Jeffrey knows – they continue to perpetuate the lie that I’ve been the problem with “Reunion” knowing the truth is they haven’t asked me – even when they did a “Reunion Tour in the UK called “The Second Time Around Tour” using my likeness mind you, to generate more commerce in fees. I was told by fans there of them telling the audiences I didn’t show, couldn’t make it butwas welcome anytime – also not true. This year I found out the real reason behind why they haven’t asked me – provided by Carolyn Baldwin (Griffey stage name) in some emails in her declaration.
Here’s an example of what led me to research the actual ownership as a refresher – I’ve covered this is a couple of other blog posts and interviews.
Pre-Trademark registration and the last ambiguous and or false misleading ad they did don’t believe me? Check their respective facebook pages pre May 2014.. and compare it to after May 2014 when they learned I’d registered the mark. I’ve never been asked to do any of these shows in the UK for those who’ve asked – yet they deceived the public and were able to increase their fees by making the ticket buyers believe they were seeing a ‘reunion’.. their manager said this was the old Shalamar with that classic 3..so if so, why this? They have tried to make people believe there was never a Jody Watley — or Delisa Davis for that matter, only Carolyn by using old photo’s with me – with her name.
Shalamar from 1979 with me, Jeffrey and Howard – my name replaced with Griffey’s – under mandate from Griffey.
Read the ad..Imagine that – only the woman in the photo is me – Jody Watley.
Look at this carefully – it’s me but they replaced my name with Carolyn, they were slowing trying to make her the original female. It’s like identity theft.
The emails below became a part of the Baldwin (Griffey) challenge this year with the TTAB (Trademark and Appeals Board) – it made everything make sense.
Emails from Dick Griffey mandating who will be in “Shalamar” among other revelations. This is not proof of ownership, as a note – just someone demanding someone follow his demands – something they continue to do. This fact was certainly not covered in Unsung nor any interview they’ve done. Instead – they say Jody won’t do it..the truth is, they are doing what they were told by Dick Griffey dating back to 2001 apparently.
It’s easier to throw me under the bus than admit they Howard and Jeffrey work under the belief that “Shalamar” belongs to Carolyn (Baldwin) Griffey and they back her up. Why not include that in Howard’s Unsung..rather than the fake narrative? Instead, you get manufactured “beef ” so that the public can accept Carolyn and buy into the lie that “Jody Watley has refused all reunions..”
These documents are a part of the Baldwin challenge to my legal registration with the USPTO which stopped them for advertising in the UK using images that included me – Jody Watley and changing my name to hers – as if she were the original woman in Shalamar which is also of course not true. They had a charade going – I stopped it for those who question how I came to the trademark. Even as owner at the outset, my attorney told them they could use the name just stop false ads.
The “Real” Shalamar according to Howard, Jeffrey and Carolyn:
Howard Hewett, Carolyn Baldwin (Griffey) and Jeffrey Daniel. 2016
**Updated (Sept.12, 2016) thank you to the fan who in-boxed me on Twitter.
Presented to my attorney Michael L. Lovitz, IP Law and in declaration documents.
Entered as ‘evidence’ from Carrie Lucas, CL ..Carolyn Lucas, former Solar artist amd widow of Dick Griffey by her daugher Carolyn Baldwin (Griffey)
– Interesting all around..my jaw dropped further when I got to the part about Griffey’s thoughts on “The Look” album. This is what they didn’t want to say in the first Unsung. This confirmed in writing for me that he’d allowed Howard to take over the album which drove a further wedge with Jeffrey who quit before the album was recorded after his part on ‘Dead Giveaway’ and then I quit during filming of video of ‘Dead Giveaway’ and just before the album release, we were both threatened to be sued and blackballed from the business – the end of that era for Shalamar..while people still blame me ..
Tunde is Jeffrey’s longtime friend and ‘manager’
At Last!! A photo. The end of the charade, false and misleading ads. Baldwin (Griffey) had yet to remember she was the owner after 14 years according to her subsequent challenge filed in August ..but she did at last submit a photo for them to use at Indigo2 2014. They’ve been taking photo’s and posting since..even poached my new ‘Shalamar’ logo at one point boldy putting it on their first official photo session after 14 years..
Despite this and the recent public revelations in the United States – it was only after my registration that they began to mention her by name – in fact they just apparently introduced her in July 0f 2015..after using my likeness in the UK for years – the charade was over because of my registration.
2015 – the introduction, after 14 years..but she’s been in it since 2001 right?
BET Awards 2014– BET and Jesse Collins Ent. offered me a solo spotlight and Shalamar reunion surprise appearance – I agreed and in the end said no because the producers were not holding up to their end of the offer, we could not agree creatively as they wanted to turn it into something else entirely – again, this is a business one shouldn’t have to dim a light for others to shine and why do it if not for maximum impact, it was not about just getting onstage crooning ballads. Agreements are to be honored not baited and switched. BET, Jesse Collins, Mike Gardner manager and Howard Hewett were the reason this performance subsequently never happened. They wanted to add a Howard feature and I was fine with it..though it was not in their offer to me…it went downhill from there.
BET Acceptance Letter:
Jeffrey Email RE: BET / Howard Email Excerpts:
Essence Festival Pitch from Avid – 2014
In a follow-up phone call with with Wallace Butts of Avid Music Inc, it was reiterated there was no interest in a ‘Shalamar Reunion’ as I gauged interest post trademark registration.
2011 –After meeting concert promoter / producer friend to Howard Hewett Bill Hammond at a charity event, he was keen on discussing a possible “Reunion” tour. Bill has a past history in quality events. I pitched the “Farewell” concert for the USA to give closure to the American fans who are still interested.
This time it all fell apart when he told me he’d had a great conversation with Howard but that Carolyn would have to be involved and we’d need her permission, she’d need to be on background vocals – there was never another woman singing with Shalamar when I was in it – there was no need and no need to start. My voice and tone always held it down, nothings changed. Howard was looking out for Carolyn and that’s his choice so it’s perfect he continues to work for the Griffey’s and remain loyal to them.
I choose to have no dealings with the Griffey’s in any capacity – Dick Griffey himself was never a fan of mine and treated me with disrespect not to mention not properly compensating us – that era taught me what not to accept moving forward and I remain grateful for the experience, however those days are gone.
No smart business person is walking back into that situation. Any of the former members could have also done what I did and researched the trademark instead of accepting wolf tickets.
Bill Hammond Email: 2011 Farewell Tour Conversation
Excerpt continued from March 29, 2011 email exchange with Bill Hammond
I opted out of pursuing it further once Howard said Carolyn would have to giver permission and also be a part of it..No thanks.
THIS. The Charade. Hit Me Baby One More Time.
2005 – I was deep into ambient electronica ‘Midnight Lounge” era musically and creatively. It’s one of my best albums and most critically acclaimed. Jeffrey, Howard and Carolyn go on UK Hit Me Baby One More Time and are introduced as “Shalamar” back together again – “Reunited.” Jeffrey proclaims “it’s like when we were here back in the day – not when Howard and I were here..when “we” were here as they all gather around to look at the footage. The video package with old footage features me – Jody Watley performing and intermixed with Carolyn implying it’s the same person – reunited remember. When she says “Oh, look – there’s Jermaine” that was like whoa – my best friend who wrote a song about me – Jody. Why use Carolyn to point out Jermaine..hmm – obvious. The charade begins. Was I asked to be a part of this? No. Read earlier mandate by Dick Griffey..tell the truth guys.
Carolyn, you’re not the original woman in Shalamar. Making sure she was not introduced by name in 2005. A simple Shalamar is back with a new member..but – no. The UK has been made to believe – she is me since 2005, until I stopped the falsehoods.
WATCH!! Jody Watley, the one some say insignificant to “Shalamar” always right there..my likeness and old Shalamar images, Soul Train..music video, performances..”They’re back!” Really?
How many closeups of me, Jody Watley can you count? Even Gerald Brown “Take That To The Bank” is used in the package as well. Notably though, when they take the stage there’s no distinction made of who is on the stage..that’s not me, Jody Watley but certainly I was used without permission..they could have had the real thing but they chose an imposter. Did they or any of their reps reach out to me? No and as I said, it all made sense once the emails provided by Carolyn for her challenge of my registration were in my possession as a part of this legal journey.
Going back, at the time my website was called missjodywatley.com – I was flooded with messages that Jeffrey and Howard were trying to pass some girl off as me on a TV show. This is how I came to know about it. I addressed it on the site and made it clear it wasn’t me and that what they were doing was not OK. I received an email from Tunde Babola, Jeffrey’s longtime manager and friend. I use to have to occasional friendly exchange with Tunde until that point. He admonished me for the post clarifying the charade – and told me to take it down. I said there was no reason to take it down and the false presentation wasn’t legal or right. He told me, and I’ll never forget it “Lest you forget, Dick Griffey owns Shalamar lock, stock and barrel..” to which my reply was “Well I own Jody Watley and this website lock, stock and barrel and if you don’t like my posts stay off of my website. I’ve never spoken to him since. When the video’s were posted on Youtube, it was truly flabbergasting to actually see what they’d done and it still is. I forgive them, it’s all really low and pathetic to me. It’s a reminder of how shady this business and how people can be while in the public presenting something entirely different; including using the umbrella of being ‘a Christian.’ Your beliefs don’t make you righteous, your behavior does.
2000 – Jeffrey says he asked me once around this time to perform with them in his email to me from January 2015 and I turned it down. I don’t recall it, nor do I recall ever receiving a firm contract offer or anything of that nature. In 1999-2000 for was going into my experimental electronica era. The Saturday Night Experience Vol. 1 featuring Jody Watley. There was no photo of me on the cover, just sound waves.
I was burnt out on the commercial part of the business and more in the underground rejuvenation phase – as well I was deep into motherhood enjoying raising my children who have always been my priority. During this time, I also wanted to distance myself from the 80’s which had been so good to me and continue to pay my bills- over time, I came back around to that and put those songs back in my show.
If I did decline that one time, I suppose it wasn’t to be revisited? It’s as if in their world people and philosophies don’t change. Frozen in time, that’s how some are and that’s fine for them. They don’t grow, change evolve -and remain rigid, never progressing in life. People change their minds all the time -the next day, week, month or year…it’s kind of funny when you think about it. There’s a favorite moment, a teachable lesson from daughter when she was little-she loved broccoli..and then she didn’t, when I asked ‘But I thought you liked broccoli..she replied “Well Mommie, taste buds change you know..” it’s a metaphor for life.
Adding more back story to this period – During this time I hired Jeffrey for shows to Japan to do “Shalamar” segment. Ironically Rosero from SRL was a dancer with me then and was on the trip. The execs at MJJ had taken Jeffrey off payroll and he was having financial issues. I extended help to someone who I’ve always had a tumultuous off and on friendship, though he remains in denial about that fact. But even if we are no longer friends, I will help someone like that because holding onto tribulations is a waste of energy. After that trip in 2000 -we never spoke after that until January 2015 when he contacted Sal Michaels at Pyramid desperate to talk to me – I’ll save that for my memoir.
1998 – Just One More Time. Howard, Jeffrey and I went into the studio to record the song “Just One More Time” for Atlantic Records, it was written and produced by Jamey Jaz. We recorded, all three of us together on Beverly Blvd atWestlake Studios. This fact can be substantiated by Craig Kalman of Atlantic and other former executives such as John “Johnny D” DeMairo and Rich Christina. The song of which I have somewhere deep in storage on a cassette and recently asked Jamey if he had his copy and said no. It was scrapped in favor of my solo performance as Craig was unhappy with the outcome of it. He lost interest in perhaps trying another song because he said Hewett’s voice had lost it’s magic and we didn’t sound good together.I have no idea why neither Howard or Jeffrey acknowledge this fact – but continue to go with the “..our hopes are dashed because of Jody Watley” even after decades. People comment to me with such conviction in their vitriol..forgive yourselves for attacking me over things you have no clue about and move on. Tell the truth guys. Why don’t you mention this???? Drama sells.
1996 – The Babyface Reunion Album — Howard, Jeffrey and myself were in negotiations for a Shalamar Reunion album. At first, I wasn’t that into it. Babyface convinced me how great it would be and also he spoke of his past not always pleasant dealings with Dick Griffey. My potential deal was being negotiated by Rosalyn E. Jones, ESQ my longtime entertainment attorney. In the end there was no agreement – no deal could be reached. Howard’s manager wanted more money for him..we were not a group and hadn’t been for over decade and this harkened back to when I left Shalamar in the first place due to Howard; making his own side deals with Griffey who was not paying me or Jeffrey what we deserved. To Dick Griffey we were always those ‘dancers’. That’s not badmouthing the man, that’s my experience and at one time Jeffrey’s – but he doesn’t remember that. The break-up in 1983: Melody Maker – read what Jeffrey said when it was all fresh. HERE
This is business, I’m not a dancer, or some naive girl floundering and clueless. I’m an established artist, a business woman. It wasn’t me trying to get more than everyone else though surely I’d earned the same right. Sure, it could have been cool but it didn’t work and I am a big believer that some things happen for a reason – pay attention to the universe and life. I have great respect for Babyface. I nearly worked with him when I was on MCA but it never happened..I don’t walk around pissed off that it didn’t work out. Life goes on, but that’s just me.
1996 – Top of The Pops Taping on Santa Monica Pier – all of us together…what is the reason TV-One, Unsung, A. Smith and Co Productions, Howard, Jeffrey continue to omit this? It doesn’t feed the Jody Watley has refused all reunions lie. I had no problem appearing with them although it was disappointing that they didn’t want to rehearse or work with a choreographer so we were just milling about in the performance – but that’s was just my input then. People need to stop acting like it never happened in favor of fake drama where there was none. Why isn’t this ever shown in these Unsung Shalamar episodes?
This video was uploaded by my company under the account Classic Shalamar on November 2011 another reaction to the false statement that Jody Watley has declined ALL Reunions made in Unsung Shalamar, 2009. Otherwise, it’s unlikely anyone else would have..Howard, Jeffrey, Babyface, LL Cool J, A.Smith and Co, Unsung, know of this video and taping in 1996 – but yet…I’ve refused ALL reunions. Stop it.
1996 – “For The Lover In You” Video Babyfacewith Hype Williams. The blown out of proportion “Jody refused to film with us..”. I was flying in from concerts in Japan and it made sense in the end to simply film my scene on green screen as Hype said he was doing with all of us anyway from what I recall. An appointment with the stylist was made of Williams’ choosing, the awesome June Ambrose. She pulled hot pieces, I selected the leather maxi – had no clue what Jeffrey and Howard chose – we were not a group. Dick Griffey told Babyface we could not use the name SHALAMAR because he owned it.
The day of the shoot each Howard and Jeffrey had filmed their scene by the time I arrived. Was there someone there who said, you can’t talk to Jody? No, and no big deal. It was a job, I showed up, did my part and that was that. It was three people shooting scenes for a song we all had a part in. That said did I have concerns about how the vibe would be from two men I hadn’t worked with in a long time and had some negative and positive encounters the years since? Yes of course, anyone would have. This was about scheduling, not shade throwing. Williams never said we can’t do this if you’re not all together.
I would totally acquised to that if that was the case. I never thought it would become an ‘issue’ for some and used as a part of a smear campaign.
If it were such a big problem for me and no one could ‘get Jody Watley in the room..and the “what shade went down” lie — what changed in a few weeks for the taping of Top Of The Pops on the Santa Monica Pier? Why didn’t I simply decline participating at all? Why do you think this fact has been left out twice now on a national documentary series, which be repeated over and over? It’s a better story and drama sells – the villian in this story has been purposefully made to be me – Jody Watley, the Grammy winning artist with the crossover career..Chew on that.
Despite these facts, when I bumped to Howard again recently at the airport (he’d dashed out quickly when he saw me on arrival after autograph seekers alerted me to his presence) as fate would have it we were on the same return flight. Trust me he was very much the cat who swallowed the canary when I was in proximity and he had to speak..I was cordial, we spoke, I filmed a video – we on the same flight and never said another word after that. I could have confronted him for all of the lies and false statements about me but as Michelle Obama said “When they go low – we go high.”
Hewett also recently went on the Tom Joyner Morning Show and slandered me saying I’d committed fraud by registering the trademark, a claim without merit intended to damage my reputation. Lies and pettiness. Currently a Motion to Compel is pending with the USPTO Trademark and Appeals Board because Baldwin (Griffey) has yet to cooperate in proving her case. (Update: Baldwin Griffey lost her challenge with USPTO as of February 2017).
A fan, collector had these posters from 1980 and wanted me to sign on March 26, 2016 NYC BB Kings’s after a sold out show with Shalamar Reloaded. He’d asked Howard to sign after seeing him not long before..the way Howard signed and where he signed says a lot about his frame of mind with regards to Jody Watley. Grudge?
The man mentioned he told Howard he was wrong for that and to sign the other side of the poster after defacing the first. I signed this version. BB King’s NYC March 26, 2016
Philadephia International Airport – August 2019 – to this day he will act like he has not spoken to me in almost 40 years. Stop the lies.
Jody Watley, Howard Hewett 2011 NAMM, Recording Academy Booth
An example of a false ad that was being used – a photo with me in it from “Three For Love” album from 1979 – and someone else’s name in it’s place.
An example of a false ad that was being used – a photo with me in it from “The Look” album from 1983 – and someone else’s name in it’s place.
In the continued aftermath of my legal trademark registration efforts brought on to stop the false and misleading ads and misuse of my likeness related to my days as an original member of Shalamar by others, I’ve been contacted by quite a few former members who wish to remain anonymous from other groups inspired by my efforts wanting advice. This means so much to me. For avoidance of doubt, my legal USPTO # is 4, 530, 877. Despite the ongoing challenge process to cancel my registration with the TTAB (Trademark and Appeals Board) from the step-daughter of Dick Griffey, I remain the owner and entitled to all rights as such until she has successfully proved her challenge and proves that she is the legal owner under trademark law.
Few outlets will cover this aspect of the business to enlighten other aspiring or veteran artists who end up feeling helpless in many cases. Imagine seeing a concert that you’ve not been asked to be a part of, while your image is used to help generate more income for others. Some still ask, what is she doing? Why this – why that. The why is business though others have made it personal against me. It has changed the way they go about their ads now – make no mistake about it. That’s a success in itself.
Women in business, as I’ve stated many times are often marginalized and have their voices silenced or ending up discouraged and out of the business altogether. Sexism is one of the many isms pervasive in society. Throughout my career, I’ve talked about business and those elements, though more often the conversation is style, fashion, being a teen dancer one of my least favorite topics at this point beyond speaking on always be tenacious and determined with a vision for yourself. People are to quick to give up their power because they don’t feel they have any.
It’s a sad fact in this industry that until artists decide to look into business matters deeper than you might otherwise and to not to intimidated by threats or other tactics to discourage efforts in either establishing long overdue rights and or gaining control over your image and likeness, as well as potential music ownership it will continue to be an unfortunate reality to many. I’m proud to have quietly inspired others to handle their business. What you experienced in your teens, 20’s 30’s and so forth – every step is a lesson.
Just because someone claims to own something – they must prove it with real and legitimate receipts and paperwork. Check into it, don’t assume and beware of smoke and mirrors.
(Update): To potential buyers – ignore the phone calls, meritless threats of facing ‘a big lawsuit’ and efforts to not only undermine my business efforts with the new group but to damage my reputation with false and libelous allegations.
#Shalamar Circa 1982, Jody Watley, Jeffrey Daniel, Howard Hewett. “Friends”
Howard Hewett, Jody Watley and Jeffrey Daniel. 1982
1983. The Look album era.
Howard Hewett, Jody Watley, Jeffrey Daniel. Three for Love era. “Make That Move”
Putting in work – paid my dues. 1979 The Second Time Around “Big Fun” album
1978 #Shalamar with Gerald Brown, Jody Watley and Jeffrey Daniel “Take That To The Bank” Disco Gardens album.
Gary Mumford, Jody watley, Jeffrey Daniel, originals in 1977 “Uptown Festival” album promotion.
It’s ongoing, however these are my rights.
June 21, 2016
Cease and Desist:
Re: Ongoing Infringement of Jody Watley’s U.S. Trademark
Registration No. 4,530, 877 for “SHALAMAR”
I’m writing to you on behalf of our client Jody Watley concerning the numerous false statements (both written and oral) that have been and continue to be made by you and your colleagues about Ms. Watley’s ownership and registration of the trademark SHALAMAR.
Please be advised that Ms. Watley is the official owner of U.S. Trademark Registration No. 4,530,877 for such mark (the “Registration”), which Registration remains valid and subsisting.
Specifically, we understand that each of you, individually and/or in concert with Ms. Carolyn Baldwin, have given interviews, made public statements, and posted written comments on social media of a false and defamatory nature concerning Ms. Watley and the Registration, including statements that Ms. Watley’s actions are “illegal,” that the Registration was obtained by fraud, that Ms. Watley has no right to the Registration, and that Ms. Baldwin is the owner of the “Shalamar” trademark, among others.
You should be aware that, under U.S. trademark law, as codified in Chapter 22 of Title 15 of the United States Code (the “Lanham Act”), Ms. Watley’s Registration conveys, inter alia, the right to exclusive use of the mark in connection with the goods and services identified in the Registration, which includes entertainment in the nature of live musical performances. Ms. Watley therefore has the right, under the law, to prevent any other party from using the same mark in connection with the same or related goods or services, or otherwise in a manner that is likely to confuse the consuming public. The benefits of ownership of a federal trademark registration, including the right to stop infringing uses of the mark, such as those being made by your clients, remain firmly in place until such time as the registration is surrendered or rights in the mark abandoned by the trademark owner.
As Ms. Jones previously advised Ms. Baldwin’s manager Michael Gardner on June 3, 2014 (the “Jones Correspondence”), any US performance by you and/or Ms. Baldwin under the name “Shalamar” constitutes an unlawful and unauthorized use of Ms. Watley’s trademark, in direct violation of the Lanham Act and the exclusive rights granted to Ms. Watley by her federal registration. In addition, any use of the “Shalamar” name to advertise or promote such an unlawful performance would similarly violate Ms. Watley’s rights under the Lanham Act.
To be clear, it is the U.S. Registration obtained by Ms. Watley, along with the common law rights that she has acquired through her ongoing commercial use of the mark throughout the U.S., that provides her with the right to object to and curtail all infringing activities. No court order is required in order for Ms. Watley to assert and/or enforce her exclusive rights in the SHALAMAR trademark, as imparted on her by the Lanham Act as the trademark’s owner, including to truthfully advise third parties (such as CelebrityAcceess) of her rights and ownership of the SHALAMAR trademark and registration. It is these rights, conveyed by the Lanham Act, by which you and your clients must abide.
Any attempts to register Ms. Baldwin’s musical group with promoters or databases in the US, such as the CelebrityAccess database, under the name “Shalamar” is therefore in direct violation of Ms. Watley’s exclusive rights in the SHALAMAR trademark. The inclusion of the word “Featuring” does nothing to eliminate the likelihood that those persons familiar with the SHALAMAR trademark would believe, in error, that any musical performance promoted under the name “Shalamar” originates from, is associated or sponsored by, or is provided under license or permission from, Ms. Watley as the owner of all U.S. rights in the mark and name.
Additionally, any third parties participating or assisting in such unlicensed and unlawful uses, such individuals or venues using the “Shalamar” name in advertising or promoting live musical performances, would be liable for vicarious and/or contributory trademark infringement, subjecting such parties to penalties, including punitive and/or compensatory damages, injunctive relief, and payment of court costs and attorneys fees, under U.S. Trademark Law.
Further, any attempts by you and Ms. Baldwin to promote her musical group in the U.S. using the “Shalamar” name is in direct conflict with Mr. Gardner’s prior agreement on June 3, 2014, conveyed during his telephone call with Ms. Jones in response to the Jones Correspondence, and wherein he acknowledged receipt of the Ms. Jones’ letter and agreed the group would abide by the restrictions set out in the Jones Correspondence.
As a result, your and Ms. Baldwin’s (and your respective representatives’) ongoing efforts to promote yourselves under the name “Shalamar” and/or attempt to secure dates and venues within the US to perform as “Shalamar” without license or permission of the Registration owner represent acts of unfair competition as well as ongoing acts of infringements of the exclusive rights provided under the Trademark Law. Such activities are a source of great harm to Ms. Watley and the valuable goodwill she has developed in the SHALAMAR trademark, as well as a source of confusion to the purchasing public. These infringing activities are intentional and are being undertaken in bad faith, with the full knowledge of Ms. Watley’s rights, and in direct breach of the parties’ prior agreement, as set forth between yourself and Ms. Jones on June 3, 2014.
Finally, at the time Ms. Watley lawfully filed for and obtained the Registration, there was no other party that possessed a federal or state trademark registration for the “Shalamar” trademark, and in fact, at no time did Mr. Griffey or SOLAR Records register such trademark. Any rights in the “Shalamar” name or trademark had long been abandoned by Mr. Griffey and SOLAR Records. Mr. Watley was entirely within her legal rights to file for and register the trademark “SHALAMAR” as she did, and the Registration was lawfully obtained from the U.S. Patent and Trademark Office, and has been (and continues to be) lawfully used by Ms. Watley. Therefore, any statements by you (alone or in concert with Ms. Baldwin) that Ms. Watley acted illegally or unlawfully, or that the Registration is invalid or improperly obtained, constitute knowingly false, defamatory statements, are harmful to our client and to her business ventures, are likely to interfere with her contractual relationships, and are actionable at law.
Therefore, on behalf of Ms. Watley, we hereby demand that you cease publically making and distributing false statements (oral and written) concerning the Registration, Ms. Watley and her use of the “SHALAMAR” trademark and name. Additionally, we once again demand that you and your partners, employees and/or agents cease all use of the “Shalamar” name in connection with musical performances in the US and with all and any advertising and/or promotional efforts on behalf of Ms. Baldwin and/or your musical group, along with any other actions or activities that infringe Ms. Watley’s trademark rights.
Please be advised that Ms. Watley will continue to use all available tools, and take whatever actions she deems necessary, to protect her valuable trademark rights, and if necessary will pursue all rights and remedies available against you and your clients, and any associated or affiliated persons or entities who have materially participated in the unlawful activities described herein.
This letter should not be construed as full recitation of the facts supporting Ms. Watley’s claims, her rights in connection with this matter, or a complete listing of her possible claims against you, Ms. Baldwin or any other person(s) associated with the Baldwin/Daniel/Hewett musical group and their activities.
Nothing contained herein is intended, nor should be construed, as a waiver (express or implied) of any of Ms. Watley’s rights, remedies, or positions, at law, in equity or otherwise, each and all of which are hereby expressly reserved, and shall in no way prejudice Ms. Watley should further action be required to protect her valuable intellectual property rights.