Jody Watley, singer/songwriter/producer/businesswoman, is one of the architects of 21st century pop. From her groundbreaking marriage of rap & R&B (1987’s “Friends,” a collaboration with hip-hop legends Eric B. & Rakim) to her vision-forward marriage of high fashion, street fashion and music in the ‘80s (long before it became the norm), to her fusion of jazz and underground club culture with keen pop instincts, and the ease with which she crossed and still crosses genre, Ms. Watley forged the template that is now everybody’s playbook.
Winner of the Best New Artist Grammy in 1987, Jody Watley’s entire career has been about looking forward, drawing inspiration from personal heroes like Grace Jones, David Bowie, Diana Ross and jazz great Nancy Wilson – iconoclasts who were always ten steps ahead of the pack. The Chicago native’s eclectic repertoire – R&B, hip-hop, House, jazz, pop, drum & bass, ambient, spoken-word – is built on a positive vision and a strong taste for artistic and aesthetic risk.
Her self-titled 1987 solo debut – a showcase for her vocal chops and songwriting skills – was a beats & grooves tribute to her club kid roots, from the underground spots she frequented as a teenager to her stardom (while still a teen) as one of the most popular dancers in the history of iconic TV show “Soul Train.” It yielded the chart topping hits “Looking for a New Love” (which launched the Jody-penned phrase “Hasta la vista” into popular vernacular, becoming so huge that Arnold Schwarzenegger jacked it for his signature line in the movie The Terminator), “Don’t You Want Me,” “Most of All,” “Some Kind of Lover” and “Still a Thrill,” whose video was the first (and as yet unmatched) time a pop star flexed their skills at waaking, the underground Los Angeles dance that is a sibling to both breakdancing and voguing.
1989’s Larger Than Life, her blockbuster sophomore album, yielded the hits “Real Love” (whose influential music video – nominated for seven MTV Video Music Awards – was her second collaboration with acclaimed film director David Fincher, the first being her sleek video for “Most of All”), “Friends,” and the sultry ballad “Everything.” They were all huge hits.
Like many artists who top the charts, Ms. Watley soon found herself stymied by the limited vision of her label, who wanted to shoehorn her into formula. The albums Affairs of the Heart (1991) and Intimacy (1993) displayed her deepening songwriting skills and singing prowess, as well as her assured experimentation with layered musical textures, but label support was missing in action. The powerful, beat-driven spoken-word track “When a Man Loves a Woman” from Affairs sparked controversy for addressing AIDS and domestic violence long before they were topics of national conversation, and her skittish label turned its back on the track and album. Though Ms. Watley’s artistry continued to deepen and grow, she was hamstrung by her label’s lack of support and their adherence to the same narrow definitions of success that saw her leave iconic R&B group Shalamar at the height of its popularity in 1983. Her own definition of success centered then and now on artistic growth and freedom, not simply replicating whatever was or is hot at the moment.
After breaking from the majors and starting her own label Avitone Recordings in 1995, Ms. Watley began collaborating with a Who’s Who of visionary producers and remixers, many of whom were longtime fans and jumped at the chance to work with her: 4 Hero, King Britt, Kenny “Dope” Gonzalez & Little Louie Vega, Mark de Clive Lowe, Miguel Atwood-Ferguson, Ron Trent, Moto Blanco, and Alex Di Ciò. Thanks to her non-stop touring, her global fan base remains as fervent as ever and they’ve made chart and club hits of Ms. Watley’s indie albums – Affection (1995), Flower (1998), The Saturday Night Experience (1999), Midnight Lounge (2001), and The Makeover (2006) – and her 2014 EP Paradise.
For the past five years, the ever multi-tasking Ms. Watley has focused on both her thriving solo career and the group project “Jody Watley featuring SRL.” Much like Prince had The Revolution, NPG, and Third Eye Girl (among many other projects and aliases) as extensions or branches of his music and creativity, Jody Watley feat. SRL allows Ms. Watley another outlet for her artistic expression. SRL members Rosero McCoy and Nate Allen Smith – gifted singers, dancers, and choreographers in their own right – bring their own cool style and vibe to Ms. Watley’s trademark high-energy, all-love live performances, and the trio’s critically acclaimed concerts draw SRO crowds around the world. With musical influences that include Kaytranada, Anderson Paak, and Little Dragon, they’ve released several chart-topping hit singles in Europe, including the Alex Di Ciò remix of “The Mood.” Their forthcoming album will be a seamless mix of dance grooves, funky beats, deep House, R&B, trap, rock, and ambient ballads accented with guitar flourishes.
Also in the works is Jody Watley: The Jazzy Sessions, a longtime dream project finally come to fruition. Fans were given a taste of what to expect from that forthcoming EP on the bossa nova tinged cover of Bob Marley’s “Waiting in Vain,” which shot to the top of the jazz charts within weeks of its release. A lilting, gorgeously melancholy take on the classic tune, the track simmers with tension between the longing of the lyrics and the lush, languid music and arrangement. Though some newer fans were pleasantly surprised that Ms. Watley pulled off a jazz tune, longtime fans saw it as simply the artistic thread being pulled forward from Ms. Watley’s show-stopping cover of Cole Porter’s classic song “After You,” from the landmark AIDS benefit recording project Red Hot & Blue, released in1990.
What links “Waiting” to the rest of Ms. Watley’s far-ranging and impossible to pigeonhole catalogue (which has seen her hit the charts in every decade of her career, from 1977’s Uptown Festival album with Shalamar to 2018’s “Waiting in Vain” single) is the sincerity and honesty from which it springs.
“Everything I’ve ever done has been to be distinctively Jody Watley,” says the pop icon herself, “from my first solo album through right now. Everything that I will ever do always has to be authentic to me, work that I can always be proud of first and foremost. It’s not so much about, ‘Oh, this is going to be popular,’ or ‘Oh, this is going to be a big hit.’ It’s always been so personal to me, everything that I do. And the fans can feel that. They connect with the honesty.”
Daily – there are so many things going on in the news to cause sadness, stress, frustration, anger, hopelessness and so on. While we are here on this earth as often as you can while acknowledging all these things, including injustice just find a way to still find your joy and your shine – the energy of love and positivity, pass it on.
Motivation:: New day, New week! Stand strong, Believe in Yourself, Work Towards Making Your Dreams A Reality – Keep The Faith.. and remember it’s not what others think of you – it’s what you think of yourself in the process.
The first Jody Watley luxury soy candles (Sanctuary and Paradise”) arrived in 2014 to coincide with release of “Paradise” EP with singles of the same name along with “Candlelight” to reflect Watley’s love of candles, calming spaces be it home, or business travel, concert venue backstage dressing and green rooms.
“My love of candles isn’t a trend or bandwagon thing for me – it’s a longstanding part of my lifestyle that I’m passionate in bringing to others.” – Jody Watley
The online boutique was established in 2000 – I’d wanted my own store going back as far as my childhood dreams of things I wanted to accomplish. The internet and online e-commerce made it possible.
Thank you to customers new and long-standing, more exciting products to come – always shipped with love, care and good vibes – it’s not just a transaction!
I’ve never even had a flu shot and like most people hate needles – I have vivid traumatic memories of having vaccines at school as a child and kids would be crying and being dragged to the chair for their dose. I wasn’t totally one of those but I do remember crying and getting some sort of scab after which got torn off – I still have a mark of my arm from it.
When my daughter and son were growing up and had the suggested vaccines – I was the wreck and they were fine.
That said and fast forward – like many who’d like to have life here back to some semblance of new normalcy, I couldn’t believe each time I was waiting and searching for my turn and availability.
When live music returns it’s going to be a must for artists as well, but most importantly to do my part on the larger scale to help us all get out of this pandemic as soon and safely as possible.