Jody Watley, singer/songwriter/producer/businesswoman, is one of the architects of 21st century pop. From her groundbreaking marriage of rap & R&B (1987’s “Friends,” a collaboration with hip-hop legends Eric B. & Rakim) to her vision-forward marriage of high fashion, street fashion and music in the ‘80s (long before it became the norm), to her fusion of jazz and underground club culture with keen pop instincts, and the ease with which she crossed and still crosses genre, Ms. Watley forged the template that is now everybody’s playbook.
Winner of the Best New Artist Grammy in 1987, Jody Watley’s entire career has been about looking forward, drawing inspiration from personal heroes like Grace Jones, David Bowie, Diana Ross and jazz great Nancy Wilson – iconoclasts who were always ten steps ahead of the pack. The Chicago native’s eclectic repertoire – R&B, hip-hop, House, jazz, pop, drum & bass, ambient, spoken-word – is built on a positive vision and a strong taste for artistic and aesthetic risk.
Her self-titled 1987 solo debut – a showcase for her vocal chops and songwriting skills – was a beats & grooves tribute to her club kid roots, from the underground spots she frequented as a teenager to her stardom (while still a teen) as one of the most popular dancers in the history of iconic TV show “Soul Train.” It yielded the chart topping hits “Looking for a New Love” (which launched the Jody-penned phrase “Hasta la vista” into popular vernacular, becoming so huge that Arnold Schwarzenegger jacked it for his signature line in the movie The Terminator), “Don’t You Want Me,” “Most of All,” “Some Kind of Lover” and “Still a Thrill,” whose video was the first (and as yet unmatched) time a pop star flexed their skills at waaking, the underground Los Angeles dance that is a sibling to both breakdancing and voguing.
1989’s Larger Than Life, her blockbuster sophomore album, yielded the hits “Real Love” (whose influential music video – nominated for seven MTV Video Music Awards – was her second collaboration with acclaimed film director David Fincher, the first being her sleek video for “Most of All”), “Friends,” and the sultry ballad “Everything.” They were all huge hits.
Like many artists who top the charts, Ms. Watley soon found herself stymied by the limited vision of her label, who wanted to shoehorn her into formula. The albums Affairs of the Heart (1991) and Intimacy (1993) displayed her deepening songwriting skills and singing prowess, as well as her assured experimentation with layered musical textures, but label support was missing in action. The powerful, beat-driven spoken-word track “When a Man Loves a Woman” from Affairs sparked controversy for addressing AIDS and domestic violence long before they were topics of national conversation, and her skittish label turned its back on the track and album. Though Ms. Watley’s artistry continued to deepen and grow, she was hamstrung by her label’s lack of support and their adherence to the same narrow definitions of success that saw her leave iconic R&B group Shalamar at the height of its popularity in 1983. Her own definition of success centered then and now on artistic growth and freedom, not simply replicating whatever was or is hot at the moment.
After breaking from the majors and starting her own label Avitone Recordings in 1995, Ms. Watley began collaborating with a Who’s Who of visionary producers and remixers, many of whom were longtime fans and jumped at the chance to work with her: 4 Hero, King Britt, Kenny “Dope” Gonzalez & Little Louie Vega, Mark de Clive Lowe, Miguel Atwood-Ferguson, Ron Trent, Moto Blanco, and Alex Di Ciò. Thanks to her non-stop touring, her global fan base remains as fervent as ever and they’ve made chart and club hits of Ms. Watley’s indie albums – Affection (1995), Flower (1998), The Saturday Night Experience (1999), Midnight Lounge (2001), and The Makeover (2006) – and her 2014 EP Paradise.
For the past five years, the ever multi-tasking Ms. Watley has focused on both her thriving solo career and the group project “Jody Watley featuring SRL.” Much like Prince had The Revolution, NPG, and Third Eye Girl (among many other projects and aliases) as extensions or branches of his music and creativity, Jody Watley feat. SRL allows Ms. Watley another outlet for her artistic expression. SRL members Rosero McCoy and Nate Allen Smith – gifted singers, dancers, and choreographers in their own right – bring their own cool style and vibe to Ms. Watley’s trademark high-energy, all-love live performances, and the trio’s critically acclaimed concerts draw SRO crowds around the world. With musical influences that include Kaytranada, Anderson Paak, and Little Dragon, they’ve released several chart-topping hit singles in Europe, including the Alex Di Ciò remix of “The Mood.” Their forthcoming album will be a seamless mix of dance grooves, funky beats, deep House, R&B, trap, rock, and ambient ballads accented with guitar flourishes.
Also in the works is Jody Watley: The Jazzy Sessions, a longtime dream project finally come to fruition. Fans were given a taste of what to expect from that forthcoming EP on the bossa nova tinged cover of Bob Marley’s “Waiting in Vain,” which shot to the top of the jazz charts within weeks of its release. A lilting, gorgeously melancholy take on the classic tune, the track simmers with tension between the longing of the lyrics and the lush, languid music and arrangement. Though some newer fans were pleasantly surprised that Ms. Watley pulled off a jazz tune, longtime fans saw it as simply the artistic thread being pulled forward from Ms. Watley’s show-stopping cover of Cole Porter’s classic song “After You,” from the landmark AIDS benefit recording project Red Hot & Blue, released in1990.
What links “Waiting” to the rest of Ms. Watley’s far-ranging and impossible to pigeonhole catalogue (which has seen her hit the charts in every decade of her career, from 1977’s Uptown Festival album with Shalamar to 2018’s “Waiting in Vain” single) is the sincerity and honesty from which it springs.
“Everything I’ve ever done has been to be distinctively Jody Watley,” says the pop icon herself, “from my first solo album through right now. Everything that I will ever do always has to be authentic to me, work that I can always be proud of first and foremost. It’s not so much about, ‘Oh, this is going to be popular,’ or ‘Oh, this is going to be a big hit.’ It’s always been so personal to me, everything that I do. And the fans can feel that. They connect with the honesty.”
I’m proud to be a part of such a monumental and important project and moment in history- there were few artists at the time willing to speak on the subject of HIV & AIDS.. even fewer was black artists. My label didn’t want me to do it because they thought my participation would give the impression that I was either gay and or had the virus. Some things are worth fighting to be a part of and for me this was one and creatively I got to do jazz!
And just like that summer transitions to fall. It’s been a blurring of one season onto the next in this pandemic. No concerts or travel since February has really been an adjustment. No travel hustle and bustle, no concerts and adoring supporters enjoying the music, no hanging out grabbing dinner after show and all of the social interaction that comes with tours and putting on shows. My heart had dropped a little with each 0 miles and hotel points earned notification. Winter, Spring, Summer .. now here we are. I miss it all and being onstage – but what can we do under these circumstances? So many out of work .. even our favorite family restaurant Ruth’s Chris Steakhouse Beverly Hills has shuttered for good as summer ended. We can’t do anything beyond finding other ways to stay creative, productive, motivated and healthy. This season is one for even greater reflection-it is the season of change.
Autumn Equinox Blessings : As we transition into this new season – may we be like trees shedding dead leaves from it’s branches and let things go that are no longer serving our well being-making room for new blessings and growth like the leaves falling away for continued transformation in the ever changing flow of life.
Meatless Monday – though salads are great every day! Do something good for your mind, body and spirit each day .. as well as the environment. Health is wealth. I usually make my own dressing too, no hidden calories. I have some edamame in this mixture organic mixed greens salad for a bit of protein, roasted corn as summer comes to an end too .. black beans are good with this one as well. I added almonds rather than croutons.
My Go To Balsamic Vinaigrette Dressing :
1/2 cup extra virgin olive oul
1/4 cup balsamic vinegar
1 tablespoon Grey Poupon Dijon Mustard
2 tablespoons fresh lemon juice or orange juice, or pomegranate juice
1 tablespoon fresh crushed garlic (optional) – I love garlic and it’s good for you! No fresh garlic? You can substitute with garlic powder.
1 teaspoon dried mixed herbs
1 teaspoon dried or fresh parley- you can also use cilantro to change up recipe and depending on what you’re pairing it with
1/2 teaspoon pink Himalayan salt
Fresh cracked pepper or a course grind.
In small bowl whisk together all ingredients, you can also use your food processor.
Use a measuring spoon to drizzle on salad as you wish and depending on size of your salad. If you keep these items handy you can always whip together a cute and healthy vinaigrette dressing.
Back to my morning walks this week as a part of my daily routine. It always feels great to get steps in – make sure you do too. Heart health is important even more so with the Covid-19 pandemic. Daily walks are great for lowering blood pressure and an instant mood booster. A lot of people were out so of course facial covering in full effect. Careful in my steps so I don’t trip and fall though! I didn’t wear my sling today for my cast.