Jody Watley Classic Images of The Day. Harper’s Bazaar May 1988 Photography Scavullo

Jody Watley_Harper's Bazaar 1988

 

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Jody Watley. Harper’s Bazaar, 1988

Photography the legendary Francesco Scavullo

Makeup: John Evans

Hair: Jeff Woodley

Jody Watley. Remembering My Father.

My Dad making his own bit of history.

Remembering my Dad Rev. John Watley Jr. on his birthday, charismatic, forward thinking, a great storyteller, a showman in the pulpit with his sermons, great hats, tailored suits, often flamboyant, always read the morning newspaper, loved all people, had a smile that lit up a room..I got a lot from him – and thinking of many of the pearls of wisdom he instilled in me (only the strong survive, it’s not what others think of you it’s what you think of yourself, always have your own, especially money ..” and so much more. Though he passed away decades ago – not a single day goes by where I don’t think of him and miss him. His church members would always give us birthday cakes when I was little – mine would be coconut, his German chocolate, since our birthdays are a day a part. The memories and love live on for eternity.

I miss you Dad – Love, your Princess (church members called me Princess Jody), your ‘Star’ — which is what my Dad always said I would be, he was my first believer

I have no photos of us together because at one point my parents lost all possessions in storage so the couple of photos I have of him I cherish. #Aquarius Rest Peacefully Always ✨as well to my GodfatherJackie Wilson dear friend of my Dad – the first person to bring me onstage and also claim I had something special.

Jody Watley Epic 3 Part Interview on Mi-Soul Radio With Mike Vitti

One of the most comprehensive interviews I’ve ever done. You really must listen to this..history,  first time onstage with my Godfather Jackie Wilson,Soul Train, Shalamar, aspects of my solo career moving up through to the current new music. Mike Vitti was masterful with the questions, knowledge as well as weaving a tapestry of quality music spanning decades.

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Listen: Jody Watley Interview w Mike Vitti Mi Soul Radio The Funky Nation

 

UPDATE:: To those outside of the UK here are the individual shows without restriction:

Jody Watley Interview V Magazine Summer Issue 2014

© 2014 Jody Watley - #selfie

© 2014 Jody Watley –  V Magazine #selfie

 

 

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Article:

THE IRREPRESSIBLE JODY WATLEY RETURNS WITH A BRAND NEW ALBUM THAT HARKS BACK TO HER FUNK SOUL ROOTS. HERE, THE SINGER REFLECTS ON HER RISE TO THE TOP, WORKING WITH THE WORLD’S GREATEST FASHION PHOTOGRAPHERS AND STAYING TRUE.

Jody Watley at Giorgio’s the exclusive, the exclusive Saturday party at The Standard in Hollywood, where Mick Jagger and Andre Harrell mix and David LaChapelle might be spotted with Daphne Guiness on his lap. Watley is the queen of the venue-she holds court almost every week just past DJ Adam XII’s booth with her friend and Decades cofounder Christos Garkinos. Tonight, the mother of two a self described basketball mom, carpool mom, fabulous mom..” wears all black save for a pair of crystal Jimmy Choo pumps. When she’s in the mood, she’ll fan herself on the dance floor-something she has done since beginning her career as a dancer on Soul Train as a teenager. “I always have my little fan action.” the icon says with a smile. “It’s so glamourous. Eat your heart out Karl Lagerfeld.” Watley shot the video for “Nightlife”, the clubby lead single off her new album “Paradise”, at Giorgio’s.  “I want to inspire people, because people get stuck in a rut.” she says of the music. “Oh, I’m not going out, Oh, the good ole’ days..” And it’s so frustrating. It’s like make new memories! Even if you had a great time ten, twenty, thirty years ago, be fabulous now! You’re alive, Hello!”

The daughter of a Chicago minister, Watley first performed onstage as a child with her godfather, the incredible crooner Jackie Wilson. After relocating to Los Angeles she succeeded in her mission to become a Soul Train regular. In 1977, Don Cornelius the show’s creator and host, selected her to become an original member of the disco super trio-Shalamar, which would record world-class dance-floor anthems like “The Second Time Around” and “A Night To Remember.” Watley left the group after six years, loved to London, and recorded “Do They Know It’s Christmas?” with Band Aid.

After returning to Los Angeles three years later, she signed with MCA Records and released her 1987 solo album “Jody Watley”, co-writing a handful of tracks. It contains some of her most enduring dance music, including the lead single “Looking For A New Love” (which features the popular pre Terminator 2 kiss-off “Hasta la vista baby!”). “Don’t You Want Me.” and “Some Kind of Lover.” She accepted her 1988 “Best New Artist” Grammy-winning over Breakfast Club, Cutting Crew, Swing Out Sister and Terence Trent D’Arby – in a vintage dress and biker jacket painted with her likeness.

‘When I signed to MCA, I didn’t see anybody like who I wanted to be.” she says. “I wanted to do that badass fashion chick that’s just different. And not everybody likes her. And not everybody liked me. “You don’t smile, you’re a black girl, you’re glamorous and you’ve got this cold as ice stare.” While in London she sought out designers like Azzedine Alaia, Claude Montana, Vivienne Westwood, and Jean Paul-Gaultier. “I bought one of the first cone bra’s, pre-Madonna. It’s on the single sleeve of “Don’t You Want Me”. I also bought the huge one that she ended up wearing, but the understated one was more me”, she says.

With her gorgeous mane, lean frame, stunning brows illegal cheekbones and ballsy attitude Watley was the perfect subject for fashion’s top photographers.”[When I first started] the label didn’t want to fly me to New York for my first layout for Harper’s Bazaar” she laughs. “So I flew myself out to shoot with Scavullo!” Steven Meisel photographed the cover of her 1989 follow-up album Larger Than Life. The video for ‘Real Love’ was directed by David Fincher and featured her ruling the runway in menswear paving the way for future acts like Aaliyah and TLC.

“I never wanted to be like anybody else” says Watley who, in the decades that followed never stopped recording, performing and changing up her style and sound. Now she’s writing a memoir, which she plans to finish this year.  “I can only be who I am. Because to me that’s what street is. Street is real.” – Mark Jacobs

 

My blog about the photo used in the piece: Here