Jody Watley, singer/songwriter/producer/businesswoman, is one of the architects of 21st century pop. From her groundbreaking marriage of rap & R&B (1987’s “Friends,” a collaboration with hip-hop legends Eric B. & Rakim) to her vision-forward marriage of high fashion, street fashion and music in the ‘80s (long before it became the norm), to her fusion of jazz and underground club culture with keen pop instincts, and the ease with which she crossed and still crosses genre, Ms. Watley forged the template that is now everybody’s playbook.
Winner of the Best New Artist Grammy in 1987, Jody Watley’s entire career has been about looking forward, drawing inspiration from personal heroes like Grace Jones, David Bowie, Diana Ross and jazz great Nancy Wilson – iconoclasts who were always ten steps ahead of the pack. The Chicago native’s eclectic repertoire – R&B, hip-hop, House, jazz, pop, drum & bass, ambient, spoken-word – is built on a positive vision and a strong taste for artistic and aesthetic risk.
Her self-titled 1987 solo debut – a showcase for her vocal chops and songwriting skills – was a beats & grooves tribute to her club kid roots, from the underground spots she frequented as a teenager to her stardom (while still a teen) as one of the most popular dancers in the history of iconic TV show “Soul Train.” It yielded the chart topping hits “Looking for a New Love” (which launched the Jody-penned phrase “Hasta la vista” into popular vernacular, becoming so huge that Arnold Schwarzenegger jacked it for his signature line in the movie The Terminator), “Don’t You Want Me,” “Most of All,” “Some Kind of Lover” and “Still a Thrill,” whose video was the first (and as yet unmatched) time a pop star flexed their skills at waaking, the underground Los Angeles dance that is a sibling to both breakdancing and voguing.
1989’s Larger Than Life, her blockbuster sophomore album, yielded the hits “Real Love” (whose influential music video – nominated for seven MTV Video Music Awards – was her second collaboration with acclaimed film director David Fincher, the first being her sleek video for “Most of All”), “Friends,” and the sultry ballad “Everything.” They were all huge hits.
Like many artists who top the charts, Ms. Watley soon found herself stymied by the limited vision of her label, who wanted to shoehorn her into formula. The albums Affairs of the Heart (1991) and Intimacy (1993) displayed her deepening songwriting skills and singing prowess, as well as her assured experimentation with layered musical textures, but label support was missing in action. The powerful, beat-driven spoken-word track “When a Man Loves a Woman” from Affairs sparked controversy for addressing AIDS and domestic violence long before they were topics of national conversation, and her skittish label turned its back on the track and album. Though Ms. Watley’s artistry continued to deepen and grow, she was hamstrung by her label’s lack of support and their adherence to the same narrow definitions of success that saw her leave iconic R&B group Shalamar at the height of its popularity in 1983. Her own definition of success centered then and now on artistic growth and freedom, not simply replicating whatever was or is hot at the moment.
After breaking from the majors and starting her own label Avitone Recordings in 1995, Ms. Watley began collaborating with a Who’s Who of visionary producers and remixers, many of whom were longtime fans and jumped at the chance to work with her: 4 Hero, King Britt, Kenny “Dope” Gonzalez & Little Louie Vega, Mark de Clive Lowe, Miguel Atwood-Ferguson, Ron Trent, Moto Blanco, and Alex Di Ciò. Thanks to her non-stop touring, her global fan base remains as fervent as ever and they’ve made chart and club hits of Ms. Watley’s indie albums – Affection (1995), Flower (1998), The Saturday Night Experience (1999), Midnight Lounge (2001), and The Makeover (2006) – and her 2014 EP Paradise.
For the past five years, the ever multi-tasking Ms. Watley has focused on both her thriving solo career and the group project “Jody Watley featuring SRL.” Much like Prince had The Revolution, NPG, and Third Eye Girl (among many other projects and aliases) as extensions or branches of his music and creativity, Jody Watley feat. SRL allows Ms. Watley another outlet for her artistic expression. SRL members Rosero McCoy and Nate Allen Smith – gifted singers, dancers, and choreographers in their own right – bring their own cool style and vibe to Ms. Watley’s trademark high-energy, all-love live performances, and the trio’s critically acclaimed concerts draw SRO crowds around the world. With musical influences that include Kaytranada, Anderson Paak, and Little Dragon, they’ve released several chart-topping hit singles in Europe, including the Alex Di Ciò remix of “The Mood.” Their forthcoming album will be a seamless mix of dance grooves, funky beats, deep House, R&B, trap, rock, and ambient ballads accented with guitar flourishes.
Also in the works is Jody Watley: The Jazzy Sessions, a longtime dream project finally come to fruition. Fans were given a taste of what to expect from that forthcoming EP on the bossa nova tinged cover of Bob Marley’s “Waiting in Vain,” which shot to the top of the jazz charts within weeks of its release. A lilting, gorgeously melancholy take on the classic tune, the track simmers with tension between the longing of the lyrics and the lush, languid music and arrangement. Though some newer fans were pleasantly surprised that Ms. Watley pulled off a jazz tune, longtime fans saw it as simply the artistic thread being pulled forward from Ms. Watley’s show-stopping cover of Cole Porter’s classic song “After You,” from the landmark AIDS benefit recording project Red Hot & Blue, released in1990.
What links “Waiting” to the rest of Ms. Watley’s far-ranging and impossible to pigeonhole catalogue (which has seen her hit the charts in every decade of her career, from 1977’s Uptown Festival album with Shalamar to 2018’s “Waiting in Vain” single) is the sincerity and honesty from which it springs.
“Everything I’ve ever done has been to be distinctively Jody Watley,” says the pop icon herself, “from my first solo album through right now. Everything that I will ever do always has to be authentic to me, work that I can always be proud of first and foremost. It’s not so much about, ‘Oh, this is going to be popular,’ or ‘Oh, this is going to be a big hit.’ It’s always been so personal to me, everything that I do. And the fans can feel that. They connect with the honesty.”
Jody Watley‘s “Flower” Album Turns 27: Timeless Music Of Growth and Renewal. The Grammy winner came together with an esteemed array of collaborators for her 6th solo album. From select members of Organized Noize (Ivan Matias), Masters at Work (Louie Vega, Kenny Gonzalez), Tony! Toni! Toné! (D’Wayne Wiggins and Randall Wiggins) and Groove Theory (Bryce Wilson) as well as Rahsaan Patterson, Malik Pendleton, Cassandra Lucas, Phil Galdston, Deric Angelettie, and Derrick Edmonson all assembled to get down to the business of record making. Out of all these new faces, Edmonson was the only carry over from Flower’s antecedent Affection, as a Watley co-writer, co producer, the first release of Jody Watley’s independent offering from her Avitone Recordings, established in 1995.
While it’s true that the genesis of Flower had a bumpy start, the project eventually took on a joyful upswing during its creation. All of those assembled respected Watley’s progressive form of soul and sought to make it accessible to the black radio format of the late 1990s. Obvious hooks are planted among the fluid funk of Flower, none of them blocking the intelligence or sexiness of the lyrical thrust of the LP.
Watley’s way with a groove, whether a simmering midtempo (“Flower,” “Everything You Do”) or a punchy uptempo aimed squarely for the dancefloor (“Baby Tonight,” “I Don’t Want You Back”), was second to none. “Off the Hook” functioned at both paces on the affair, becoming its launching single. It’s original incarnation favors Quiet Storm posture, whereas its secondary shape—the D-Dot Remix—is that of an undeniable hip-hop banger that reunites her with one of that movement’s defining voices after their inaugural partnership on “Friends” in 1989: Rakim.
There are at least four formal downtempos on Flower, all of them prepossessing, but it’s the acoustic warmth of “16” that rises above that pretty pack to become not only the best ballad on the set, but one of the standout entries in Watley’s entire discography. On “16,” Watley writes and sings for young womanhood and captures all of the feelings of that unique, if sometimes bittersweet, journey. A year after its release on Flower, it found its way onto The Writings on the Wall (1999) as “Sweet Sixteen,” the second LP from a soon-to-be iconic girl group known as Destiny’s Child. – Quentin Harrison, Albumism –
Singles: Off The Hook
# 1 Hot Dance Club Play (Remixed by Masters At Work & D-Dot Hip Hop Remix)
# 23 Hot R&B/Hip-Hop Singles
# 73 Hot 100
“If I’m Not in Love” (The Remixes)
# 2 Hot Dance Club Play
It’s Spring – be like a “Flower – continue to bloom and grow.
Revisit or Listen for the first time! “Flower” is streaming at all digital platforms. Learn more about the Jody Watley Discography.
Jody Watley “Larger Than Life” Cover Art. Photography by Steven Meisel.
On March 27, 1989, Jody Watley, fresh off her GRAMMY win for Best New Artist, delivered her second solo album, “Larger Than Life.” More than just an album, this platinum-certified solid follow up showcased her evolution as a visionary in music, fashion, and artistry. Jody Watley co-wrote 9 of the ten songs, produced by Andre Cymone. “The concept of the album is about not playing yourself small – make it larger than life, go big, do it up!” Watley has stated.
Let’s break down the hits:
“Real Love” – A high-energy dance-pop anthem that became one of her signature hits, earning a Gold certification and an unforgettable MTV presence with its trendsetting video which remains one of the most nominated music videos in VMA Awards History.
“Friends” (ft. Eric B. & Rakim *groundbreaker one of the first R&B/Rap collaborations to reach Top 10 on multiple charts including the Billboard Hot 100). A pioneering crossover hit, blending R&B and hip-hop in a way that helped lay the foundation for future collaborations across genres; a fact largely overlooked to this day in mainstream media, R&B and Hip Hop Media. The video was also quietly notable for it’s inclusion of hip hop B-Boys, true NYC underground club kids, and iconic figures like Connie Fleming, Codie Ravioli, voguers, drag queens, transgender, combined making a mix of club goers co-existing at her Club Couture.
“Everything” – A beautifully heartfelt ballad that became another major hit, showcasing her versatility.
Cultural Impact:
Beyond the charts, Larger Than Life solidified Jody Watley’s influence on music, fashion, and visual storytelling. From the iconic style moments, the forward thinking collaborative approach with Eric B & Rakim, she set trends that artists still draw from today.
Revisit this classic album by downloading or streaming from the digital platforms of your choice: or discover it for the first time. Great music has no expiration date!
In June 2022, Jody Watley was honored with Jody Watley Day at the Georgia State Capitol, recognizing her impact not just in music but in culture and humanity. Trailblazer. Icon. Inspiration.
Jody Watley with Rep. Billy Mitchell, Dr. Jacqueline Mohair and Dee Dawkins-Haglier
The Grammy winning artist also received the prestigious Presidential Lifetime Achievement Award for her dedication to community service in making a difference through arts and entertainment as a positive influence.
Jody Watley Day at Georgia State Capitol.
As we celebrate Women’s History Month we honor women like Jody Watley-paving the way for next generation of contemporary artists and women breaking barriers, and continuing to inspire generations.
Jody Watley – Jody Watley Day At Georgia State Capitol
March 18, 1989, marked the release of Jody Watley’s 6th smash hit solo single “Real Love” a song that solidified her status as a music and style icon.
The second single from her platinum selling Larger Than Life album dominated the charts, hitting #1 on both the Billboard R&B AND Dance charts and soaring to #2 on the Billboard Hot 100. The single also achieved Gold certification, selling nearly a million copies. The song was written by Jody Watley and Andre Cymone and produced by Cymone for MCA Records.
Beyond its chart success, “Real Love” made history at the 1989 MTV Video Music Awards earning six nominations – one of the most nominated in the award show’s history. The stylish high fashion visuals directed by David Fincher, showcased Watley’s trendsetting influence, cementing her as a force in both music and fashion.
Decades later “Real Love” remains a timeless anthem of empowerment and independence. As we celebrate this milestone, it’s clear Jody Watley’s impact is as powerful as ever.
Download, Stream, Watch the Official Video – AGAIN on YouTube and work that runway walk!
As we celebrate Women’s History Month, we celebrate Jody Watley. Learn more about the ongoing and diverse Jody Watley Discography
Jody Watley“Dance To Fitness” was not just a hit but a cultural milestone; a groundbreaking moment, proving that a Black woman and recording artist could lead in this space championing fitness, inner peace, wellness and self-care.
In the late 1980’s and early 90’s, the fitness video market was largely dominated by celebrities like Jane Fonda, Richard Simmons and fitness powerhouse Denise Austin.
Her video provided much needed representation in the fitness and wellness industry. She showed that health, dance and exercise are for everyone, inspiring many who had never seen themselves reflected in mainstream fitness culture.
As a Grammy-winning artist and style icon, Jody Watley in the Creative Concept role as well, choosing to incorporate her own music from her first two blockbuster solo albums. “Most all music in fitness videos were generic due to copyright and licensing restrictions.” The approach for “Dance To Fitness” was making fitness fun and accessible for everyone to popular music. This mindset was a catalyst influencing later celebrity fitness projects that combined non-generic music and exercise. That fact that it reached #1 underscores its mass appeal and commercial success. Jody’s trailblazing opened doors for future Black entertainers to the fitness and artist branding space from workouts to other celebrity driven brands, endorsements and products.
Furthermore, the fact that it reached #1 underscores its mass appeal and commercial success. It wasn’t just a niche project-it resonated widely, proving that there was a strong demand for diversity in fitness media.
As we celebrate Women’s History Month, we look back and celebrate this trailblazing achievement for a true trailblazer and her commitment to representation in the wellness, self-care, fitness arena and artists taking advantage of branding and opportunities on the entrepreneurial and business side.
Watch New Video Short of “Dance To Fitness” : Jody Watley Youtube Channel – Here
Grammy winning artist Jody Watley, known for her genre-defying artistry, took a reggae classic and transformed it into a sultry, jazz Bossa nova infused masterpiece.
Her interpretation brought a fresh and sophisticated elegance to “Waiting In Vain”, showcasing her ability to reimagine timeless songs while staying true to the emotional essence. The video, released in 2018, “Waiting In Vain” marked a significant chapter in pop, R&B, dance music, she seamlessly stepped into the jazz world again (decades after her her rendition of Cole Porter’s After You Who? for Red, Hot & Blue in 1990), proving her versatility and ability to captivate across genres. The song became a smooth jazz radio favorite reaching the Top 20 and Top 25 Billboard Jazz, cementing her credibility in the jazz space. It resonated with both longtime fans and new listeners with what Soulbounce called her elegant cool and refined vocal delivery.
In an era when music video compilations were not as commonly recognized as albums, Jody Watley achieved success with her Video Classics Vol. 1. The collection was certified Gold, another major achievement as a solo artist.
Jody Watley was among the first black female artists to have a music video compilation achieve this level of success. The video featured short insights from Watley throughout discussing her inspirations, concepts and collaborations with the directors.
It demonstrated the strong demand for her visual artistry beyond the music. This underscored her impact as both music and visual trendsetter and style icon; proving her influence extended beyond radio hits. Her music videos highlighted her trendsetting fashion, free style movements. From “Real Love” to “Friends” ft Eric B & Rakim and “Looking For A New Love” she set trends that influenced a future generation of artists.The Gold certification validated her work as a visual innovator in the MTV Era, helping to pave the way for future artists to release similar projects. As we celebrate Women’s History Month, we note that this cultural milestone, Jody Watley Video Classics Vol. 1 reinforced her status as a multi-dimensional artist with staying power beyond the charts.
During the late 80’s and early 90’s music videos were primarily seen on MTV, BET, VH-1 or Friday Night Videos on WTBS. The commercial success of Video Classics Volume 1, helped solidify music video compilations as a viable product, paving the way for future artists to release similar projects.
Did you / Do you have the collection on VHS / Laserdisc?!
Grammy winner Jody Watley has influence and impact as one of music’s defining female artists of style that are undeniable.
Jody Watley is more than an award winning artist – she’s a cultural icon who reshaped the music and fashion landscape. In her groundbreaking solo career, Watley has fused R&B, Pop, and Dance with a fearless approach to music, image and style.
A recognized as a style icon going back to her teen years on the iconic show Soul Train. Excerpt from Nelson George “The Hippest Trip In America – Soul Train and the evolution of culture and style “….with Jody emerging as a late 70’s style icon. She could rock silver shorts and red glitter converse sneakers, vintage 1940’s inspired dresses with pumps or her prom dress. Her hair was an ongoing adventure, sometimes filled with tons of ribbons, sometimes long ponytails, or a 1940’s hairdo..” ~ Book published by William Morrow Imprint of Harper Collins Books.
This month we’ll revisit some everlasting moments in style as a solo artist – thus far.
Jody Watley – In 1989, she made history as the first black woman to appear in a GAP celebrity ad campaign, solidifying her as an influence beyond music. She isn’t just a singer she is a visionary. She has made hits and history. “Portraits: Individuals Of Style” photography by the legendary Herb Ritts. Jody Watley unabashedly represented a new era of Pop, and R&B-fierce, stylish and unapologetically authentic. She wasn’t just making music, Jody Watley was redefining what it meant to be a solo Black female artist in the late 80’s and early 90’s. Her sound was fresh, her visuals, were ahead of their time and her style? Unmatched. Jody Watley wasn’t following trends she was setting them.
Before the ‘90s explosion of celebrity driven fashion endorsements, GAP tapped Jody Watley for their 1989, as did l.a. Eyeworks in 1988 for their groundbreaking optical campaign.
– making her the first black woman featured in their iconic ads. This was a big deal. Major brands weren’t widely embracing Black artists in mainstream fashion campaigns at the time but Watley’s undeniable impact made her impossible to ignore. She helped lay the foundation for future artists to secure major fashion deals, showing that Black artists were not just entertainers but influential cultural figures.
Decades later, Jody Watley’s influence is still felt in music and fashion. Artists like Beyoncé, Rihanna, Erykah Badu continue the legacy of fusing style, music and brand partnerships – something Watley helped pioneer.
Celebrating Women’s History Month and Trailblazer Jody Watley.
Jody Watley has always had a strong vision with regard to her music, artistry and constant evolution, including in the digital age. From the early social media days of social media and subsequently Youtube. foresight to begin her branded Youtube Channel 18 years ago. The platform was still in it’s infancy. As another way to keep fans engaged and a part of the Jody Watley community offering a variety of playlists and of course the ongoing release of her music, videos, concerts and behind the scenes footage.
“18 years goes by so fast. I’m always surprised when people who say they are fans of an artist, can be so out of touch. With social media, artist website newsletters, artist pages on music streaming platforms, artist Youtube Channels all at your fingertips by way of mobile devices – there is no reason to be in the out of touch if you truly want to support and stay up to date with your favorites that may not be mainstays of gossip centric platforms. I started the channel as well to always tell my own story. As the platforms have gained popularity over the years, the increase of false narratives, fake stories, and so on have unfortunately increased. My channel allows me to always tell my own story countering the content for engagement, rage bait, click bait and so on. Pages and channels steal photos, to serve their own purposes for nefarious reasons. I can only control what I can control so to speak, especially as a public figure. Most of it you ignore and hope others do but people are gullible and love negativity, also very unfortunate. Over the years, I’ve removed content because of unauthorized misuse.
Additionally and on a positive note, all Jody Watley Music from the classics to the new are on Youtube Music and the Jody Watley Channel-but you get so much more with the content being uploaded, the exclusives, the variety of curated playlists and more.” – Jody Watley
On this Day: Mar 2, 1988: Jody Watley wins Best New Artist at 30th Grammy Awards held in New York City, Radio City Music Hall.
The award was presented by Architect of Rock & Roll Little Richard in one of GRAMMYs most memorable moments along with David Johansen (New York Dolls / Buster Poindexter)
Additionally, the Chicago born singer/songwriter was nominated for 3 awards. A presenter that night to Best R&B Vocal Male in which the King of Pop Michael Jackson was a nominee.
The Grammy MuseumWALK OF FAME, features one commemorative disc for each year of the GRAMMY Awards from 1958 – ongoing since the Grammy Museum opened in 2008 in downtown Los Angeles. Each disc contains the winners of the big four categories: Best New Artist, Song of the Year, Artist of the Year, and Album of the Year.
Watch the New Video Short : Official Jody Watley Youtube Channel: Here
