Jody Watley. Paradise on Eurweb.

JodyWatleyInstagramParadise

 

Lee Bailey has always been a consistent supporter of my music and career, dating back to when I was a member of Shalamar, and he had a popular segment that played on stations across the country “Lee Bailey’s Radioscope.” He was one of the first to interview me when my solo debut ‘Jody Watley’ was released in 1987. I’m very thankful for his continued support of my music, perseverance and artistry. #itsinthemusic

Jody Watley takes you to Paradise on her glamorous and funky new album, read the rest on Eurweb: Here

 

Jody Watley. Paradise Is Here.

Design: Ray Easmon and Jody Watley

Design: Ray Easmon and Jody Watley

“Paradise” ranks among Jody Watley’s best work. Filled with upbeat disco bangers and exquisite chilled house vibes, this album is simply drenched with hot summer grooves that will get your party started with a bang!” -ishtalk

Read the full review:

Here

 

Buy at iTunes includes NIGHTLIFE video: https://itunes.apple.com/us/album/paradise/id901587446?uo=4

Order the exclusive CD version with “Everlasting” http://www.jodywatley.bigcartel.com

Jody Watley Paradise. Update and CD Pressing.

We will do a limited quantity of CD’s for the “Paradise” EP, taking stock of comments from Facebook. The cover will differ slightly from the digital release. This package will not be available in mainstream outlets like Best Buy, Walmart, etc. This is another non corporate release by me – my heart and soul, wanting to deliver a bit of ‘paradise’ through my music. My approach is a classic one – there are live instruments on the is record including strings. In the 70’s, one of the great era’s os soul, dance, rock, jazz, etc. it wasn’t uncommon for albums to have 7 songs or less (Issac Hayes classic “Hot Buttered Soul” had 4!) . “Shalamar’s” Big Fun for instance had 7 songs clocking in at just 37:07. It’s about quality not quantity. The trend of putting a lot of filler tracks to fill up an album is never something I’ve been agreeable to. That said,  be one of the first to preorder exclusively at http://jodywatley.bigcartel.com to have your copy personalized and signed. “Paradise” will be a collectible for sure – add this to your digital purchase and Jody Watley Collection. Pre-order your CD now. Pre-orders imminent at iTunes. I appreciate your support!

Design: Ray Easmon and Jody Watley

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Jody Watley Interview V Magazine Summer Issue 2014

© 2014 Jody Watley - #selfie

© 2014 Jody Watley –  V Magazine #selfie

 

 

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Article:

THE IRREPRESSIBLE JODY WATLEY RETURNS WITH A BRAND NEW ALBUM THAT HARKS BACK TO HER FUNK SOUL ROOTS. HERE, THE SINGER REFLECTS ON HER RISE TO THE TOP, WORKING WITH THE WORLD’S GREATEST FASHION PHOTOGRAPHERS AND STAYING TRUE.

Jody Watley at Giorgio’s the exclusive, the exclusive Saturday party at The Standard in Hollywood, where Mick Jagger and Andre Harrell mix and David LaChapelle might be spotted with Daphne Guiness on his lap. Watley is the queen of the venue-she holds court almost every week just past DJ Adam XII’s booth with her friend and Decades cofounder Christos Garkinos. Tonight, the mother of two a self described basketball mom, carpool mom, fabulous mom..” wears all black save for a pair of crystal Jimmy Choo pumps. When she’s in the mood, she’ll fan herself on the dance floor-something she has done since beginning her career as a dancer on Soul Train as a teenager. “I always have my little fan action.” the icon says with a smile. “It’s so glamourous. Eat your heart out Karl Lagerfeld.” Watley shot the video for “Nightlife”, the clubby lead single off her new album “Paradise”, at Giorgio’s.  “I want to inspire people, because people get stuck in a rut.” she says of the music. “Oh, I’m not going out, Oh, the good ole’ days..” And it’s so frustrating. It’s like make new memories! Even if you had a great time ten, twenty, thirty years ago, be fabulous now! You’re alive, Hello!”

The daughter of a Chicago minister, Watley first performed onstage as a child with her godfather, the incredible crooner Jackie Wilson. After relocating to Los Angeles she succeeded in her mission to become a Soul Train regular. In 1977, Don Cornelius the show’s creator and host, selected her to become an original member of the disco super trio-Shalamar, which would record world-class dance-floor anthems like “The Second Time Around” and “A Night To Remember.” Watley left the group after six years, loved to London, and recorded “Do They Know It’s Christmas?” with Band Aid.

After returning to Los Angeles three years later, she signed with MCA Records and released her 1987 solo album “Jody Watley”, co-writing a handful of tracks. It contains some of her most enduring dance music, including the lead single “Looking For A New Love” (which features the popular pre Terminator 2 kiss-off “Hasta la vista baby!”). “Don’t You Want Me.” and “Some Kind of Lover.” She accepted her 1988 “Best New Artist” Grammy-winning over Breakfast Club, Cutting Crew, Swing Out Sister and Terence Trent D’Arby – in a vintage dress and biker jacket painted with her likeness.

‘When I signed to MCA, I didn’t see anybody like who I wanted to be.” she says. “I wanted to do that badass fashion chick that’s just different. And not everybody likes her. And not everybody liked me. “You don’t smile, you’re a black girl, you’re glamorous and you’ve got this cold as ice stare.” While in London she sought out designers like Azzedine Alaia, Claude Montana, Vivienne Westwood, and Jean Paul-Gaultier. “I bought one of the first cone bra’s, pre-Madonna. It’s on the single sleeve of “Don’t You Want Me”. I also bought the huge one that she ended up wearing, but the understated one was more me”, she says.

With her gorgeous mane, lean frame, stunning brows illegal cheekbones and ballsy attitude Watley was the perfect subject for fashion’s top photographers.”[When I first started] the label didn’t want to fly me to New York for my first layout for Harper’s Bazaar” she laughs. “So I flew myself out to shoot with Scavullo!” Steven Meisel photographed the cover of her 1989 follow-up album Larger Than Life. The video for ‘Real Love’ was directed by David Fincher and featured her ruling the runway in menswear paving the way for future acts like Aaliyah and TLC.

“I never wanted to be like anybody else” says Watley who, in the decades that followed never stopped recording, performing and changing up her style and sound. Now she’s writing a memoir, which she plans to finish this year.  “I can only be who I am. Because to me that’s what street is. Street is real.” – Mark Jacobs

 

My blog about the photo used in the piece: Here