Filmed at one of the sold out concerts in Japan at Billboard Live. It’s such a blessing to have such a loyal fan base in Japan and to sell out concerts and perform to packed houses off and on since the debut of my solo career. This show featured more dancing that I’ve done in recent years, coming out of a down-tempo ambient electro journey on my last few projects (Saturday Night Experience Vol. 1, Midnight Lounge, The Makeover).
A great time was had by all, and it was a fun way to reintroduce songs from SHALAMAR fitting perfectly with the disco soul theme of PARADISE.
This is not a reunion endeavor with the classic lineup (1979-1983). If that happens it will be a different vibe of course. This is a fresh take with new young talent, among others renowned dancer/choreographer Rosero McCoy (Usher, Beyonce, Britney, Justin Timberlake, America’s next Best Dance Crew, Disney’s Shake it Up and The Sing Off among others). The first half of the new show is SHALAMAR, and then it turns to Jody Watley hits and new music. This is a party!
Inspired by the disco soul of “PARADISE” we are bringing a full high energy experience of hits including “A Night To Remember”, “Take That To The Bank”, “The Second Time Around”, and progressing with choice Jody Watley classics including “Looking For A New Love”, “Don’t You Want Me” as well as new music.
Oct. 25, 2014 – Washington D.C. DC Chamber Gala & Awards Private Event (Shalamar preview)
Nov. 15, 2014 – The Tower Theatre Philadelphia, PA “A Night of Timeless R&B” with Lillo Thomas and The System
Nov. 29, 2014 with Shalamar Cache Creek Casino & Resort
Dec. 29, 2014 with Shalamar Billboard Live Tokyo
Dec. 30-31, 2014 with Shalamar Billboard Live Osaka
In an ongoing music journey, it was cool to come across this review from September 2001 DJ Magazine for the single “Saturday Night Experience.” The single was lifted from an import released I recorded for Japan “Jody Watley Presents The Saturday Night Experience Vol. 1″ – at that time I was ready to step away completely from music – instead stepping away from commercial minded music and all that goes with it. Quality has never waned, when popularity may have.
Most artists will say they don’t read reviews or are not big on reviews – but will admit that it’s a good feeling when you read a really positive one like this where the writer really gets in the music at hand. This was another music pivot for me and began my exploration and shift into underground club electronic fused with nu skool jazz, drum and bass and other ambient sounds. I listened to single to Giant Step, purveyors of quality eclectic and soulful music offerings through my Avitone imprint established in 1996 – also with a mantra of fueling quality music.
Shout out to longtime collaborator and music director/keyboardist in my band Rodney Lee (we wrote and produced the original together)..Ron Trent, and Blaze – still love these..available at iTunes and various digital outlets.
In the past, an artist would send out tons of copies of promotional discs to have their album reviewed. We have not done that. This collection is all about the love, the word of mouth, the appreciators of artistry, the fans – it’s in the music! The QHBlend is one of my favorite music blogs with Quentin Harrison always shining as a true music writer who knows his subjects objectively really examining and listening to the music and covering those elements. Quentin understands music pop culture, artistic growth and never holding commercial peaks and valleys against or for his subjects – as it should be. Read his observations about “PARADISE”: Here
“Paradise” ranks among Jody Watley’s best work. Filled with upbeat disco bangers and exquisite chilled house vibes, this album is simply drenched with hot summer grooves that will get your party started with a bang!” -ishtalk
My approach to the making of “Paradise” has always been inspired and rooted in what I consider one of the greatest era’s of music – the 70’s and early 80’s. Many of these songs have been tested and performed live before finalizing the recording process. There are live instruments, bass, guitar and live strings by Miguel Atwood-Ferguson on the title song. We worked to find a balance of the live element with my love and profession over the 15 years of electronic, club and ambient sounds. It wasn’t uncommon for albums to have 7 songs or less (Issac Hayes classic “Hot Buttered Soul” had 4!) . “Shalamar’s” Big Fun had 7 songs clocking in at just 37:07. It’s about quality not quantity, so technically the term EP is just a contemporary one, but for me this is a FULL CD. The trend of putting a lot of filler tracks to fill up an album is never something I’ve been agreeable to. In this era, I also feel the attention span of the listener no longer support a lot of songs on one project. Perhaps I’ll inspire other artists to reduce the number of ‘filler’ and go back to making stronger more streamline albums they way it was done in the golden age of music – which fits perfectly with today’s distractions. None of my solo albums have ever had more than 10 and from start to finish my desire has always been to put my heart and soul into doing the best work for you the fans – and for me, to be proud of beyond a lifetime.